Further adventures of life on the road with Kerouac, The Dharma Bums recounts the narrators - Kerouac thinly veiled as Ray Smith - travels and, minor, travails across the front roads and backcountry of America (with some Mexico thrown in). Throughout Kerouac and his companions - most notably Japhy Ryder/Gary Snyder - hike the mountains of the Sierra, meditate in the backwoods of North Carolina, and sleep in the desert of Arizona all while contemplating the great undifferentiated aesthetic continuum proposed by the mystics of Buddhism.
Primarily the work speaks to a re-investigation of what we consider to be necessary versus what we deem to be sufficient. Kerouac and his fellow dharma bums are in search of the enlightening potentials of raw experience, in the hopes that they may change themselves, and by extension the world. By casting off the extraneous aspects of existence these young, almost entirely male and white, Americans hope to get at the root of what is important in this life. Certainly a laudable, if not sometimes seemingly self-centered, goal.
It is to the great credit of The Dharma Bums that, ostensibly, not much happens within the story. In this way Kerouac conveys that it is the cultivation of a state of mind over the external circumstance that is his purpose. The clarity with which he conveys his realizations - which appear oftentimes fully-formed - and the manner in which he romanticizes certain strains of the life, makes it small wonder that two-plus generation of young men (and to some extent women) have turned to Keruoac's work as part of the American gospel of the sojourner . This is not to denigrate the feelings that Kerouac gives voice too. In some very disconcerting ways The Dharma Bums reads entirely contemporary, with only the question of whether America is a free enough place to consciously cat off into its own lost places in search of something we think no longer exists.