Sunday, August 26, 2012
Caro has painstakingly researched the life and years of Lyndon Johnson to such an extent that we cannot help but wonder if another biography of the man and his times will ever be necessary. Throughout the four (soon-to-be five) works he has maintained a coherency of narrative allowing the reader (at least those willing to venture through 3,000-plus pages already published) to connect Johnson's strengths as a leader and man of vision, with the deeply rooted convictions bred in him from the his youth in the Texas Hill Country. What is more awe-inspiring, and perhaps more tenuous, is how Caro allows his audience to see, and to feel, LBJ's monumental insecurities, which, though he may have been able to overcome them in his first weeks as President, cannot help but loom as a grim specter over this volume. For if Lyndon B. Johnson's first days as President redound to his credit, and can be seen as a momentous capstone to a life dedicated to the pursuit of political power, then the reader cannot help but sense the extent to which the next (and final) volume, due out in two or three years, will fully detail how Johnson's weaknesses (as well as his strengths), of character, of upbringing, will conspire with events beyond his control to derail his long-held ambitions. In the end, Johnson's story cannot but be one of tragedy, pure and simple.
Tragedy requires that, for those with eyes to see, the writing is on the wall: it is only with an inevitable sense of impending doom that any tragedy is deserving of the title. We can begin to see here that the seeds for Johnson's destruction were sown in his earliest days. From The Path to Power up through this latest installment, Johnson's character has at once been his greatest strength, and his own worst enemy. What has been inescapable throughout has been LBJ's inability to moderate himself for any extended stretch of time; his seeming unwillingness to recognize that he can be his own worst enemy. When Caro describes Johnson's first weeks as President as so successful despite the man's shortcomings, the reader knows exactly what is meant. Now it is up to Caro, long after the death of this towering figure, to truly complete his story. In his research and writings Caro's work has become the definitive voice on the Years of Lyndon Johnson, and we can now begin to fully understand that those years cannot adequately be measured, our assessment of Johnson as man and as a political, as well as historical figure, not fully understood, until Caro has written his final line. For now, the last bit of Johnson's legacy still remains undisclosed and untold. Only Caro can achieve such an ending. It is the historian who will have the final word.
We wait with baited breath.
Sunday, August 19, 2012
Central to Latour's arguments is the revocation of the subjective/objective world view. Once we are able to disprove that the world simply exists "out-there" while we ourselves are trapped "in-here" (as Latour ably proves), we are led to re-imagine what sort of relationship our ways of knowing have to the manner in which we live, and, in how we conceive of the relationships between our epistemologies. Latour argues that trying to compare the differing knowledges of religious insight and scientific truth is misguided, for they are dealing with fundamentally different realities. Once we understand that the two spheres are not engaged in speaking about the same aspects of experience, we can reconcile their shared insights rather than contrasting two approaches that were not meant to contest in the first place.
Sunday, August 12, 2012
Seemingly miscast for the role of god-king into which he was born, the Showa Emperor, and grandson of the eminent Meiji, would forever remain uncomfortable asserting his total authority and even cowardly in accepting responsibility for Japan's armed forces. With a naturally retiring personality Hirohito would hold meetings of his advisers in which, after long hours, he would have said nothing at all. Leaving it to his lieutenants to deliver news, good or bad, to Japan's decision-makers, we are led to believe that Hirohito largely allowed himself to be led by wherever his strongest advisers wanted him to go. How then to square that with Bix's claim that, more so than anyone, it is upon Hirohito's shoulders that responsibility ought rest for the course of Japan in the 1930s and early 40s? While publicly trying to paint the Emperor's role as that of a British-style constitutional monarch, the truth is that Emperor's power was potentially, and at times in actuality, much more absolute. Hirohito had utmost control over Japan's armed forces and willingly allowed his generals and soldiers to perpetrate crimes that he viewed as unacceptable, but was simultaneously unwilling to stop. It was potentially within the Emperor's power to punish perpetrators and enact Japanese policies, which he was often made aware of long in advance, that could have altered the course of events, in relation to crimes against humanity and failures in persecution of the war effort. Yet, time and again, Hirohito refused to live up to his responsibility. When defeat came to Japan at the end of World War II, he was consumed with ensuring that he would remain Emperor of his country and free of any official suspicion of war crimes. As such the Emperor allowed, and sometimes encouraged the misrepresentation of war-time blame that was placed upon his generals and advisers. With the help of General MacArthur, Hirohito ensured the role of himself as necessary figurehead of a Japan in transition to post-war state. Though he was rendered largely politically impotent by the new Japanese constitution, the Showa Emperor was allowed to retain his title, his baubles and his freedom.
While Bix's biography sometimes lingers over the details of Japanese political machinations, while ignoring the larger impacts on the country - thus painting a picture of a political culture totally isolated from the people it governed - the inner workings of the Japanese system and the man whom they revolved around are given great detail and fleshed out with a character believable for his flawed nature. It is too simplistic to call the Emperor a coward, rather, Bix paints a picture of a man thrust into a role he at once felt duty-bound to succeed in, and was cursed to carry his entire life.
Saturday, August 11, 2012
Sides endeavors to tell two stories: one of an elite group of American Army Rangers marching through the jungle night, of men primed and ready to go for a job which would require the help of guerillas on the ground and villagers along the way to ensure their secrecy. This thirty mile march would rely heavily on the element of surprise to catch the Japanese unaware so they would not slaughter POWs as the Rangers arrived. Second are the grim stories of those same POWs and how they managed to, some of them, survive for years in the camps. Fighting tropical diseases and malnutrition, constant worry over an end that might come at any time, and feeling totally abandoned by their country - left to the whims of their captors - these POWs would see and experience some of the worst crimes performed by men on each other.
Though this is ostensibly a story about patriotism and heroism, it is also a story about humility and the extent to which war can pit man against man and the extent of maltreatment between captors and captives. Sides admirably refuses to simply cast the Japanese as villains and the Americans as infallible heroes. War seems to bring out both the best and the worst in us all; Sides explores both aspects unblinkingly and reveals both the amazing strength and haunting demons of how we come together and are torn apart.
Wednesday, August 1, 2012
For occidental travelers Japan can often feel like a land set apart. While much seems familiar, so many aspects of culture have a certain twist that strikes the viewer as somehow fundamentally different, even to the pith of experience. Hoover gives the sense a background for anyone interested in beginning to understand both historical and modern Japan. Much of the ethos of zen is predicated upon training the mind to act clearly and lucidly: witness great masters of painting and haiku poetry, at study for years so that, when the time comes to create a masterpiece, their brushes and pens can flow thoughtlessly and fluidly, expressing deep truths about reality. For zen practitioners the undifferentiated aesthetic continuum of reality (a phrase cribbed from FSC Northrup) is the very fabric of existence. Not only are aesthetics of primary importance in zen, they are representative of everything. A rock garden is not only a backyard place for meditation, its -scape can be meant to convey subtle truths about the universe entire, and our relationship to it.
Hoover has accomplished something quite impressive in such a short work: he has written a cogent, and relatively nuanced history of Japan and the development of zen culture. The work should serve as a good base to continue to explore different understandings of a culture providing a different take of the onrush of history.